Music
URI vĩnh viễn cho bộ sưu tập này
Duyệt qua
Gửi gần đây
Đang hiển thị 1 - 5 trong tổng số 23
- Tài liệuProcessing Choreography Thinking with William Forsythe's Duo(transcript Verlag, 2022) Waterhouse, ElizabethTold from the perspective of the dancers, »Processing Choreography: Thinking with William Forsythe's Duo« is an ethnography that reconstructs the dancers' activity within William Forsythe's Duo project. The book is written legibly for readers in dance studies, the social sciences, and dance practice. Considering how the choreography of Duo emerged through practice and changed over two decades of history (1996-2018), Elizabeth Waterhouse offers a nuanced picture of creative cooperation and institutionalized process. She presents a compelling vision of choreography as a nexus of people, im/material practices, contexts, and relations. As a former Forsythe dancer herself, the author provides novel insights into this choreographic community.
- Tài liệuExpanded Choreographies – Choreographic Histories Trans-Historical Perspectives Beyond Dance and Human Bodies in Motion(transcript Verlag, 2022) Leon, AnnaFrom objects to sounds, choreography is expanding beyond dance and human bodies in motion. This book offers one of the rare systematic investigations of expanded choreography as it develops in contemporaneity, and is the first to consider expanded choreography from a trans-historical perspective. Through case studies on different periods of European dance history – ranging from Renaissance dance to William Forsythe's choreographic objects and from Baroque court ballets to digital choreographies – it traces a journey of choreography as a practice transcending its sole association with dancing, moving, human bodies.
- Tài liệuThe Virus of Mobilization. Volume II – Bourgeois Gestures Dance and the Shaping of Modernity 1455–1795(Wydawnictwo Uniwersytetu Jagiellońskiego, 2020) Klimczyk, WojciechThe Virus of Mobilization is an attempt to construct an original approach to the history of dance in early modern Europe. This is not a history of choreographic works, though these do, of course, have their place. Nor is it a history of techniques and styles, though these too are given due attention. The main aim is to analyze the powers that summon dance to life and to respond in part to the question of why people danced the way they did at various stages of modernity’s development. What values were expressed through dance, what models of humanity and society were enacted by its means? In search of a reply, the author analyzes texts from the Renaissance, Baroque, Classicism, and the Enlightenment: most of all these are dance treatises, but also philosophical, political, and scientific papers, and works of art. The book has been furnished with numerous illustrations, following the author’s intent to reveal the kinetic imagination at various stages in the shaping of modern culture. Wirus mobilizacji to próba napisania oryginalnie pojmowanej historii tańca w nowożytnej Europie. Nie jest to historia dzieł choreograficznych, choć i one się w niej pojawiają. Nie jest to też historia technik i stylów, choć i im oczywiście poświęcona jest część uwagi. Głównym celem jest przyjrzenie się siłom, które powołują taniec do istnienia, odpowiedź na pytanie, dlaczego na danych etapach kształtowania się kultury tańczono tak, a nie inaczej. Jakie wartości były za pośrednictwem tańca realizowane, jaki model człowieczeństwa i społeczeństwa próbowano za jego pomocą wcielać w życie? By znaleźć odpowiedź na te pytania, autor analizuje teksty kultury epoki renesansu, baroku, klasycyzmu i oświecenia: przede wszystkim traktaty taneczne, ale również rozprawy filozoficzne, polityczne, naukowe oraz dzieła sztuki. Tekst opatrzono licznymi ilustracjami, zgodnie z autorskim zamierzeniem, by odsłonić wyobraźnię kinetyczną na różnych etapach kształtowania się kultury nowoczesnej.
- Tài liệuThe Virus of Mobilization. Volume I – Courtly Steps Dance and the Shaping of Modernity 1455–1795(Wydawnictwo Uniwersytetu Jagiellońskiego, 2020) Klimczyk, WojciechThe Virus of Mobilization is an attempt to construct an original approach to the history of dance in early modern Europe. This is not a history of choreographic works, though these do, of course, have their place. Nor is it a history of techniques and styles, though these too are given due attention. The main aim is to analyze the powers that summon dance to life and to respond in part to the question of why people danced the way they did at various stages of modernity’s development. What values were expressed through dance, what models of humanity and society were enacted by its means? In search of a reply, the author analyzes texts from the Renaissance, Baroque, Classicism, and the Enlightenment: most of all these are dance treatises, but also philosophical, political, and scientific papers, and works of art. The book has been furnished with numerous illustrations, following the author’s intent to reveal the kinetic imagination at various stages in the shaping of modern culture. Wirus mobilizacji to próba napisania oryginalnie pojmowanej historii tańca w nowożytnej Europie. Nie jest to historia dzieł choreograficznych, choć i one się w niej pojawiają. Nie jest to też historia technik i stylów, choć i im oczywiście poświęcona jest część uwagi. Głównym celem jest przyjrzenie się siłom, które powołują taniec do istnienia, odpowiedź na pytanie, dlaczego na danych etapach kształtowania się kultury tańczono tak, a nie inaczej. Jakie wartości były za pośrednictwem tańca realizowane, jaki model człowieczeństwa i społeczeństwa próbowano za jego pomocą wcielać w życie? By znaleźć odpowiedź na te pytania, autor analizuje teksty kultury epoki renesansu, baroku, klasycyzmu i oświecenia: przede wszystkim traktaty taneczne, ale również rozprawy filozoficzne, polityczne, naukowe oraz dzieła sztuki. Tekst opatrzono licznymi ilustracjami, zgodnie z autorskim zamierzeniem, by odsłonić wyobraźnię kinetyczną na różnych etapach kształtowania się kultury nowoczesnej.
- Tài liệuEmerging Bodies(transcript Verlag, 2011) Klein, Gabriele; Noeth, SandraThe concept of 'worldmaking' is based on the idea that 'the world' is not given, but rather produced through language, actions, ideas and perception. This collection of essays takes a closer look at various hybrid and disparate worlds related to dance and choreography. Coming from a broad range of different backgrounds and disciplines, the authors inquire into the ways of producing 'dance worlds': through artistic practice, discourse and media, choreographic form and dance material. The essays in this volume critically reflect the predominant topos of dance as something fleeting and ephemeral – an embodiment of the Other in modernity. Moreover, they demonstrate that there is more than just one universal 'world of dance', but rather a multitude of interrelated dance worlds with more emerging every day.